|
|
Dicky Williams |
|
|
|
Dicky
If you could pick one modern example of that earthy, downhome, story-telling, chitlin' circuit Soul/Blues Mr. Dicky Williams would fill the spot quite nicely. One thing's for sure he's one of the most underrated Soul/Bluesmen of our era. Like one-time fellow labelmate Chick Willis (Ichiban Records) Williams became known for bawdy songs like "Come Back P***y" & "I Want You For Breakfast" but he's actually a strong Soul singer/songwriter in the Otis Redding vein even without the x-rated shtick. Williams claims to have written "over 200 lbs" worth of songs- most of which have yet to be released! Dicky's recording career dates back to the novelty 45 "Tee Na Na" in 1960 followed by scattered singles for Metro ("That's Where True Love Began"), Backfire ("Ride The Wind"), Pledge ("Heartache Hill") & Ace Records ("You Got A Good Thing Going On") before his first LP dropped in 1978 on Backfire Records, the highly sought after collector's item "Triple Dynomite". After a single or two more, including "Touching You" for Sirco in 1984, his second album, "Red Negligee', White Whiskey & Blue Lights" was released in 1986. His greatest success to date came after signing with Atlanta's Ichiban Records. In 1989 he released "In Your Face", which produced the aforementioned "Come Back P***y" and his stone classic "In The Same Motel" (which also appeared on his "Red Negligee" record). He followed it up with 2 more records for ichiban before releasing one obscure record on his own in 1996. In early 2007 there are rumors he was recording a comeback record...hope so!!! Album Discography
N/R Tracks: Brother-In-Law/Old Bald Headed Man/Lovers After All These Years/Make Room For Three/My Woman Black Woman An Old Woman/If You Believe
*** Classic 1960s-styled Soul singer Dicky Williams starts this one off with a bona fide (and damn good) country tune with the title cut. Even better comes the best Otis Redding song Otis never wrote. Perhaps the ultimate cheating song, "In The Same Motel", delivers a hilarious storyline (man goes to cheat at the local motel and his wife is cheating in the next room) and an earthy vocal to be reckoned with. He further genre jumps with the Funky, disco-fied "Turn It Up" and "Only One Woman" next. Quite a range for four songs! What's next? heavy metal? Thank goodness not, instead he's back to Deep Soul and a lil' Blues for the remainder of this very fine LP.
*** This is as close to Deep Southern Soul as anyone got in this less than stellar decade. Opening with his career best song, the Deep Soul wailer "The Same Motel", the nearly equal sequel "I Didn't Do Nothin'", the nasty slow Blues "Come Back P***y" and "Laughin' And Grinnin' In Your Face" the disc was on it's way to greatness. Then a few synth-heavy throwaways ("I Wanna Know Why", "Ugly Men") derail the quality until "Do You Know (Where Your Woman is Tonight)?" and "Bad Luck & Hard Times" end the record on a high.
*** Props to Dicky for paying no heed to musical trends of the day (like New Jack Swing) and sticking to his Downhome Southern Soul/Blues style. Overall the material is split between humorous story songs and earnest Soul. The title cut is a clever Soul slowie making use of metaphors, and the similar "Lost My Woman To A Woman" beat others to the joke. "You Hurt The Wrong Man" is a vintage 60s-style ballad in Otis Redding territory (Williams also covers Redding's "I've Been Loving You Too Long") and "Weekend Playboy" is a strong Downhome Blues. Still, the fluctuating sound quality and occasional cheesy synth swashes lesson the impact of the songs.
**** Dicky is tougher than ever on this Blues-oriented platter, which should have broke him through to the next level in popularity. After opening with a meaty Travis Haddix cover ("Everything Is Everything") Dicky hits hard with sturdy Bluesers like "Everybody's A Fool For Somebody" and the testosterone boiling "Man" that has more swagger than even Muddy Waters' "I'm A Man (Mannish Boy)". The pounding Stax-like "Stronger" and "Our Love Needs A Tune-Up" should've been radio hits. Meanwhile "Beer Drinkin' Man" delivers more of than storytelling Deep Soul wit and "I Live To Love You" proves he can single a sentimental ballad as well. What might have been had Dicky's record company marketed him right.
*** An obscure independent release that includes a few of Dicky's best ("In The Same Motel", "I Want You For Breakfast") and a cache of decent Deep Soul ballads (title cut, 'Sex, Lies & Alibis"), Blues ("Somebody's Talking") and funky R & B ("Up All Night Long", "Love At The Laundromat"), County Soul ("No Other Man's Hands") & more which deserve a reissue.
** Independent release contains some classic Dicky-isms with the humorous title cut. Here he questions his woman if she's been cheating and wonders if the "dog" got to "stand up in it", "bone it like he own it" and other colorful descriptions of coital activity. "Sugar Daddy" is another in a long line of BB King "Thrill Is Gone" knockoffs that succeeds again by Dicky's cocksure vocals and wit. Elsewhere the collection feels like a haphazard assembling of material copied from vinyl or previously unused demo songs based on the fluctuating sound quality. The Country Soul ballad recalls his strong Ichiban albums "In Your Face" and "I Want You For Breakfast". In fact the title track from the latter album makes another appearance here. "The Rest Of My Life (With You)" and "The Last Woman (I'll Ever Love)" are two of the most gentle, Pop songs he's cut.
By Calvin Lee Hill (edited by Blues Critic) *** One of my favorite songs of the 80s was the underground hit "Come Back P**sy"! I loved that old school Blues song. That's when Dicky Williams was with Ickyban (Ichiban). Ha! I thought Dicky might have passed on but nope! he's "back again" and he's better than ever. Now when I first got this CD I quickly jumped to the last track, "Dog Kinda Love", (Simeo's remix) 'cuz I heard it on the radio and couldn't wait to hear it again. That's some slick Southern Soul production my boy Simeo did on there! And who's this Ken Massey? Cat can tear it up on that gee-tar! There's also a jazzier laid back tempo version too that's just as good. Had me leanin' back in my Jeep bobbin' my head. They should've called this CD "A Dog's Life" or "Man's Best Friend" or something to do with dogs 'cuz two other tracks have "Dog" in the title. The hilarious party blues/dance jammy "Did The Dog Get It All?" has Dicky singing: "Did the dog get all? All of your love babe? Did he bone it like he owned it". Then he tells her don't wanna know: "no, don't tell me, Don't tell me! Lie to me, honey!". On the slow Blues "Treat Me Like A Dog" he flips the script. See, Dicky wants to be treated like a dog. Why? Because those "dogs I've seen on TV" live larger than most of us! He says "They get ice cream and cake/Two way steaks/Chauffeur-driven limousines treated like kings and queens/They got diamond collars around their necks...go ahead and treat me like a dog babe!". Ain't that the truth. Ken Massey plays some super guitar again. All over this album. Always a storyteller, Dicky's spins a funny tale on the funky "Somebody's Teachin' My Woman How To Cheat" and he tells it like it is on "Pain The Gas Lane". (Cost me 6o bucks to fill up last week! So "I feel yer pain"). Another great one is the Deep Soul melody on "Lovin' One Woman At A Time". Otis Redding would like this one. Then there's this New Age/Quiet Storm song, "Love & Sex Is Not The Same", that is quickly becoming one of my favorites. This CD has something for everyone. My kind of BLUES. Welcome back Dicky and stick around this time.
Everything on this site is copyright 2007 by Blues Critic Media unless indicated otherwise. May be used if web address www.bluescritic.com and company name are included. |